Madfabulous | 2026 | 12A | 1h 48m | Celyn Jones

A riotous, uncompromising celebration of otherness inspired by the unlikely British aristocrat who bankrupted his estate, lived fast and died young. Madfabulous is inspired by Henry Paget, 5th Marquis of Anglesey, who smashed society’s notions of class, gender and decorum, squandering a multimillion fortune before his untimely death.

When the flamboyant Henry Paget arrives in 1890s North Wales to claim his aristocratic inheritance, his theatrical flair and defiant eccentricities send shockwaves through the upper-class elite, much to the amusement of the local townspeople. Alongside his spirited cousin, Lily, and loyal butler, Gelert, Henry tries to carve out his own identity as the Fifth Marquess, navigating suffocating traditions, scheming relatives, and the long shadow cast by his estranged father.

Inspired by a true story, this riotous, uncompromising celebration of otherness, is led fearlessly by rising star and BAFTA nominee Callum Scott Howells (It’s a Sin, The Beautiful Game), joined by a stellar supporting cast of three-time BAFTA nominee Rupert Everett (The Happy Prince, An Ideal Husband), Ruby Stokes (Jay Kelly, Bridgerton), BAFTA winner Siobhán McSweeney (Derry Girls, Alice Through the Looking Glass), Louis Hynes (A Series of Unfortunate Events, The Great), Louise Brealey (Sherlock, Brian and Charles), Tom Rhys Harries (White Lines, The Gentlemen) and Paul Rhys (Wuthering Heights, Saltburn).

“With a moustache resembling that of Proust, Howells amusingly plays the flamboyant aristocrat Henry Paget, 5th Marquess of Anglesey, a delicate consumptive and aesthete who, in the late 19th century, blew his vast inheritance on colossal private theatricals, wild parties and jaw-dropping performances in which he would appear in gender-challenging costumes, including a diaphanous veil he wore as a “butterfly dancer”. He caused scandal with his behaviour and apparently unconsummated marriage to first cousin Lily (Ruby Stokes), whose attitude to him here is perhaps more affectionate and tolerant than it was in real life. Paget’s defiant public career was – recklessly or courageously – conducted while the disgraced Wilde was still in prison; like Wilde, his life ended in French exile; and just as Wilde once described someone as “a peacock in everything but beauty”, so poor Paget is a Wildean in everything but talent.” the Guardian